Bringing a novel onto paper and into distribution is a thing of satisfying (and terrifying!) beauty. But doing the same to a whole series, of concluding something that has been with you for so long, beats it by a mile as I am currently finding out!
The Breaking in Waves trilogy was not originally conceived as a series at all. My short stories simply had been accepted into several erotica anthologies, and it felt like a shame not to follow that up with an erotic publication of my very own.
At the time, I just wanted to write a piece that was all about my own impressions of bdsm and the people who practice it, as it appeared to me, and as – in my limited reading erotica reading experience anyway – was rarely depicted in erotic romance. I wanted to write about consent and laughter, about kindness and the normality of it all. I wanted regular-looking people with a regular to modest income, who just acted like regular people who want to get to know each other and enjoy each other’s predilections (okay: more or less. The time contraction for the sake of the novella format did impose certain limitations to reality lol).
The point is: I was writing it very much as a statement piece. It wasn’t really about the characters or their story, but I fell in love with them anyway. And by the end of Driftwood Deeds, I knew I wanted to give them more: backstory, real character and a satisfying conclusion. And so Trading Tides and Saltwater Skin were conceived.
Trading Tides is the dark moment in the trilogy, it puts their young relationship to the test. I knew very early on that I wanted to write about distance relationships, about sustaining love through phone wires and internet sessions. Especially before 50 Shades, bdsm still felt so taboo, it was and still is hard to find local people, the pool is just a lot smaller and the chance to fall in love in that pool becomes somewhat tiny (not least of all because there are a lot of nutters around lol). So I feel like distance is an issue faced by a lot of D/s couples, and I wanted to pay tribute to that and explore it.
In the end, it was probably the hardest to write emotionally, because it revived so many old memories of my own, of fighting against a current that feels overwhelming at times, of longing and need and feeling alone in a world full of people because the one person you want to be with is miles away. But of course that also made it incredibly gratifying to bring to a happy conclusion.
And then came Saltwater Skin, where Paul takes over as narrator, which posed challenges of its very own as well. He always had a very distinct voice in my head, a strong character who deserved to express all of his own thoughts and impressions and to not just be seen through Iris’ eyes.
He is definitely a character I fell for hard, and who still makes me swoon: troubled, thoughtful hero who works hard to overcome is issues to finally be the man he wants to be. Saltwater Skin will be released next week alongside a Complete Trilogy Collection (although because of issues they are actually already available on AllRomance and Smashwords), and there is something wonderful about starting into the New Year with a finished long-term project. As much as I love Breaking in Waves, its completion opens up so much space in my head, so many possibilities and new story ideas. And I can’t wait to see if readers like spending time in Paul’s head as much as I did!
I’m still giving away free review copies, by the way. So anyone who would like to review Saltwater Skin (or other books in the series as well) in January or February, please contact me at firstname.lastname@example.org!