Gift Inspiration Driftwood Deeds

If you’re anything like me, two weeks before Christmas you’re probably not exactly done with your Christmas gifts. For me, that is because my family is made up of die-hard pragmatists when it comes to material things, who almost impossible to find presents for. So I researched gifts for people who appreciate such things in a series of book inspired gift ideas.

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My Breaking in Waves series is set by the seaside, full of ocean treasures, long lost stories and love.

Etsy: Sea Glass Necklace, by lacylauragray — $7.50

In the first book, Paul takes Iris on a walk by the sea-side, to an abandoned beach where he finds all the raw materials for his work-work: driftwood and rope, sea-glass and rusty fishing gear. They walk around the place in wellington boots, searching for treasure and forging a very first connection.  They find little glittering fishing lures, and pieces of sea-glass glittering in the sand.

 

“So you think I like broken things?” I asked after a long time, voice warm and tinged in this quiet, restful moment. Paul Archer looked at me over the rim of his cup, which he held in both hands to drink as though it was an Asian bowl.

Etsy: Asian Bowl with Chopsticks Holder by SwampFires, $25.00

“I think you understand them, notice them,” he corrected, then tilted his head, put the cup down and pulled his glasses from his face. He wiped the hot water condensation from the lenses before resetting the glasses on his nose in that charming gesture. “And maybe, you feel drawn to them, too.” (Driftwood Deeds, Chapter 3)

Although primarily a screen-writer, Paul likes to work with his hands. He makes beautiful things out of driftwood: furniture and decorative objects. Later in Trading Tides, she makes a bed-side table for Iris because she needs somewhere to rest her books when she’s asleep. He likes the stories he imagines in old wood, long cut from its tree.

Driftwood Dock for iPad and iPhone, by Docksmith — $120.00

It has history embedded in its markings, a history of growth, and then another long story of getting lost and found by the beach. Driftwood inspires him to write, and — in a way — driftwood inspires him to be the person he wants to be, the person he grows into throughout the series.

Paul is like a knotted, washed out piece of wood, Iris finds on her day at the beach. A piece of driftwood that compels, inspires her with its beauty and its history, with the soft sheen of its form. And she takes it with her, slowly working new life into a man who long thought the most exciting parts of his life were in the past.

Handmade Leather Paddle, by ThePaddleman — $40.28

Instead, they start their tumultuous love story – and of course it’s not simple. Great passion never comes easy. But then Iris doesn’t like easy. She likes pain and the test of endurance. She likes the way Paul reaches for a leather strap to spank her rear.

“You didn’t want to wear any of them,” he says after a while. I pause, try to gather my thoughts. Then I shake my head.

“But you want to be mine?”

HIS & HER’S Leather Infinity Cuff Bracelets, by MemorylaneJewelry — $80.00

“Yes!” There’s a sharp, hot knot in my stomach and I reach for his hand on the wall, cover it with mine. “Of course I do. I am. And I want… I want to wear something of yours. I want to be reminded all the time. Just…”

“Just what, baby girl?”

“I think maybe I want something of yours. Something that’s you. Or me. Something that’s about us. (Trading Tides, Epilogue)

Leather Journal, by CLWorkshop — $40.00

And, of course, in the very last book – Saltwater Skin, which will be released in January – Paul has given Iris more than a leather cuff, and a collar. He also gave her a diary, he bound from the same piece of leather. A diary for her to him, to write in her thoughts and her feelings, to express everything she finds hard to say out loud — like all of us should.

 

 

Lastly, there are still the books – ebooks for now, although there will be a print edition of the full collection in the new year! But then, who doesn’t love a book appearing on their eReader, a new one a friend enjoyed before us?

Driftwood Deeds, Breaking in Waves #1, Laila Blake goodreads-badge

Trading Tides, Breaking in Waves #2, Laila Blake goodreads-badge

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Pre-order on Amazon

Release date: Jan 6th 2014

 

 

Wordcount-Binging and the Quest for Flow

It is a truth almost universally acknowledged in writer circles anymore – see what I did there? – that bringing as many words as possible onto the page in each sitting is the key to writerly success. Espoused everywhere you look, from the ever-popular Nanowrimo to blogs, podcasts and self-help books for writers, the basic idea seems to be that finishing a book is hard, and the easiest way to get through it, is to do it as fast and painlessly as possible. Get the words out there, vomit them onto your text processor, and most importantly: don’t think about it at all. That’s the way to Flow. Flow, that magical word that has been making the rounds for a while, state of infinite creative potential when the mind is linked-up, perfectly aligned to spill out your inner genius.

I don’t know how ADD we have become as a culture that we think it necessary to explain and mystify the benefits inherent in a state of enduring and enjoyable concentration, but that’s all it seems to be. Despite being often compared to a runner’s high, that feeling athletes seem to get when the rush of endorphins from physical exertion overpowers pain and exhaustion, there isn’t actually any link between the two. I shouldn’t have to point out that one includes the exercise induced rush of hormones and the other, well, doesn’t.

Now, I am the last person to diss Flow. Flow is amazing. I just seriously question whether Flow really has anything to do with the word-vomit we are often called upon to expel into our manuscripts. To clarify: we are supposed to just write down whatever comes to mind without caring about spelling, phrasing, the beauty of words, sentence and melody or even the appropriate wording of dialogue. Least of all should we think about theme or repeating topics, motifs and metaphors. The resulting text might require more editing (according to some sources up to several times the amount it took to write), but that’s supposedly worth it, because the important thing is to get it out of your head as soon as possible.

Now, I am the last one to complain about our generation’s obsession with speed, but… really? I am not in the position to judge other writers and what they enjoy about writing – but while I agree wholeheartedly that prolonged periods of concentration and the efforts to increase your writing output in an effort to keep the story alive and active in your head – I can’t abide by the dogmatic nature of the rest of it.

First of all: As a translator, I achieve Flow all the time.
This is relevant here, because you cannot stop thinking, evaluating and constantly assessing the whole picture while you translate. Now, according to Flow-espousers, this should prevent Flow. My inner critic is on 100% of the time, I constantly check terminology, look up words, compare them to earlier usage within the text, make sure this is the best way I could possibly express any given sentiment etc. And still I achieve Flow.

In fact, I achieve Flow faster and easier than I do in writing. That’s not because I enjoy translating more. I don’t. But I believe simply because translating is a more immersive activity, just BECAUSE you have to concentrate so hard on so many things at once. You can’t help it. In writing, it’s easier to waver a bit, not to be fully invested in the task at hand.

Secondly: I simply cannot enjoy shoddy worksmanship, no matter how many times I tell myself that I will edit it later. For me, writing is primarily a set of skills, not some magical spring inside of me that produces the clearest water if I just let it run free. I enjoy finding just the right words to unlock just the right feeling while I write. That’s what makes it fun for me. Finding out just how a character would say something is so integral to the character development, I can’t imagine leaving that until the very end. And yes, I love theme. Sure, some emerge later on, but I start every book with certain themes and motifs, and yeah, I do keep them in mind while I write.

After all: Finishing a book isn’t actually that difficult.
It is when you do it for the first time, because if you’re like me and most other people, you are constantly plagued by worrying if you can actually do it, if it’s worth all this misery when it sucks so much anyway, and why in the world you would do this to yourself to begin with. But once you have finished that first book, it’s just as difficult as any long-term task you choose to engage in and that has to compete for your attention with your Netflix account, with sleep and friends, and the normal fluctuations in creative self-confidence.

It’s definitely not difficult enough to warrant this desperate close-your-eyes-and-think-of-England approach. Besides, if you’re anything like me, this is exactly the approach that will mess most with your self-confidence.

I’m the kind of person who has to read back a few paragraphs in the morning when I start writing. And there is NOTHING that will kill my motivation faster than seeing how bad my own writing was the day before. I need to see something that at least resembles the standard I want to see in novels or else I’m hanging in my chair, close to tears about my lack of talent, faster than you can say Flow. And bam, the creative confidence cycle has hit rock bottom again.

Instead, I could write a just a little bit more slowly (I still tend to reach at least 1000k in an hour), but write deliberately, thoughtfully and with intention. That way I actually enjoy what I’m doing while I do it, and when I reach back the next morning, I am full of motivation for the next stretch.

And yes, I see no reason whatsoever why writing the book faster only then to take longer on editing is in any way a win for me at the bottom line. I enjoy writing a lot more than editing. So how stupid would I have to be to rush through the thing I enjoy only to pile up more work for me in the area I enjoy less? Not to mention that editing gets exponentially more painful the messier the first draft is to begin with.

The only thing that matters in the end is that we, each of us, finds the writing process that we find enjoyable.  But concentration and thoughtful writing doesn’t have to be anathema to Flow and good, speedy writing.

It’s Not All About Plot!

Every second genre book, it seems, features these descriptions somewhere in its product description: they are fast-paced, action-packed, and plot-driven. Short, dramatic sentences underline the idea.

Nobody is safe. It’s the end of the world as we know it. Death lurks around every corner. She must solve the riddle or pay with her life. Your basic summer block buster description. Only… I kind of despise summer block busters.

Now, obviously, I recognize the value of a well-structured plot. I even get the action elements and the driving suspense, especially in Dan-Brown-style thrillers. That’s part of the deal. I just don’t understand why all so many others genres are this quick to adopt the strategy. Are readers really looking for a breathless thrill-ride when they pick up a fantasy or sci-fi novel, or even more puzzlingly, when trying to decide on their next YA or general fiction read?

Some definitely do. But there’s also a valuable and vocal part of the reading community who don’t. Personally, I almost always forgo books advertised this way, and when I stumble onto one that follows this principle without making it quite so plain in the description, I tend to end up disappointed. It’s just not what I am looking for in my reading experience.

Cassandra Clare’s books, for example, always strike me as too plot-heavy. And she is by far not the only one in the YA/Paranormal/Fantasy/UF etc. community. I actually think she creates great characters and hints at really interestingly interwoven relationships, but whenever we get a little more into those, another plot point crops it short and sends the reader careening into another plot complication that doesn’t ultimately change the outcome at all.

Plot, after all, is only one ingredient in the whole book recipe. It may feature more prominently in thrillers and mysteries, but each genre mixes the available components a little differently and I, for one, think we should continue to celebrate that. There is world-building, to name just one, which may just be a subtle after-taste in contemporary romance, women’s fiction or many general fiction stories, but it can be deciding factor in Sci-fi/fantasy novels. Harry Potter, for example, isn’t perfect in all respects for me, but the world-building alone is so uniquely imaginative, quirkily adorable and well-crafted throughout, that I will never say a word against the series and probably love it for the rest of my life. Another great example for this would be Jasper Fforde’s Thursday Next series.

My personal favorite is character development though, and with it the development of different relationships as well (including, but definitely not limited to romantic ones). The moment plot concerns are starting to override character developments, my reading enjoyment starts to slump drastically and if the trend continues throughout the book, it will leave me feeling unsatisfied and a little empty. Like fast food, maybe, except who am I kidding Fast Food is awesome. (Can you all tell I’m sitting at work and haven’t had breakfast yet?)

In my Lakeside series, the first installment By the Light of the Moon is definitely the plot heavier one, whereas the sequel A Taste of Winter focusses more on character development. That’s why I think the latter is a lot better, but I also know that not everybody feels that way. Some readers liked the increased plot density of the first book, and to be honest, as a book of mine, it probably had ample character development too and maybe I overdid it a little bit in the sequel, indulged in what I like to read and write best.

I like plot. I’m a plotter myself. It is important to me to figure out what will happen throughout the book and which plot twists can best lead characters and readers to both the final climax and a satisfying ending. But I also balk at creating unnecessary twists just so that every chapter ends in cliff-hanger, to send characters and readers on wild goose chases only to come up empty and be pretty much in the same position they were three chapters ago. I’ll always rather spend those chapters on getting to know the characters and how they feel about it all, how the plot events changed their world and how they accommodate and react. Some of my favorite scenes in A Taste of Winter are the ones that show Owain dealing with the prejudice faced by his kind, and his determination to overcome it, for example, or Moira finally growing up and coming into her own strength in the relationship.

But those scenes slow down the reading experience, I’m told by countless how-to guides to writing. They put the brakes on that non-stopping thrill-ride, while the characters enjoy the landscape, go for a drink in a road-side café or park in a lonely alley for a clandestine blow-job. I get that.

But then, I’ve always been a friend of landscapes, road-side cafés or clandestine blowjobs, myself. I care more about having a good time getting to my destination, than to get there as fast as possible.

Now I want to know about you, though! How do you feel about the plot/character development proportion in novels?

Feminism & The Adult Industry

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For years some of the most well-educated, scholarly individuals have dedicated a portion of their studies to a subject that could make the rest of us blush: Porn. It’s been evaluated for insight into human sexuality, relationships, culture, societal standards of beauty, and recently, it’s infiltrated the discussion of feminism.

feminismSex-positive feminist writer Wendy McElroy, wrote an educational article for Free Inquiry Magazine where she discussed feminist views on pornography. She claimed that most feminist opinions on pornography can be broken down into three basic categories. The first are those who oppose pornography, with a large portion believing that it’s misogynistic. The second category take an agnostic approach, believing a woman is entitled to do whatever she wants with her own body. Members in the third group refer to themselves as being sex-positive or believing in the idea of sexual freedom. Those in the third group are the ones most likely to also point out the potential benefits that porn can provide women with, and are believed to have formed in opposition to the anti-pornography feminists within the first category.

However, personally speaking as a feminist, I find that I most relate to Adam and Eve contributor/blogger Dr. Kat. For those unfamiliar with Dr. Kat—her doctorate is in Human Sexuality/Clinical Sexology—she frequently discusses the need for society take away the stigma of sex, make it less shameful, and embrace it for the beautiful act that it is.

Although she works to empower women by helping them have more satisfying relationships and sex lives, she’s also sympathetic to the idea of some being turned off by pornography. It’s part of the reason why she’s also quick to mention that no matter where you stand on the subject, the adult industry has been listening to all sides of the feminist argument, and it has been making changes to the types of porn being produced.

Today, more companies are choosing to make pornography that either caters towards a female audience or shows an equal share in pleasure by both parities invovled. The Guardian quoted female pornography director Anna Arrowsmith, who (although she doesn’t overtly say so) sounds like a feminist herself by saying, “I have fought long and hard for women’s right to sexual expression and consumption, as well as for freedom of speech.” Arrowsmith focuses her films far away from the overtly fantasized if not cliched “narratives” of horny school girls and nymphomaniac nannies in order to tell stories of love and passion that women can relate to. With films such as hers growing prevalent in the industry, feminists can feel comfortable in enjoying them because those involved are being treated as equals, not as objects or toys in a misogynistic fantasy.

A feminist group has even taken it upon themselves to reward those like Arrowsmith who are taking part in the movement, creating the Good For Her Feminist Porn Awards—better known simply as the Feminist Porn Awards, according to The Week.

With the wide range of pornography available, it’s likely that there will be something within the industry that you don’t prefer. But at least it’s a step in the right direction to create a portion that isn’t demeaning. Whether you enjoy watching pornography or not, the question remains: Are female porn stars or those that enjoy pornography (even slightly) performing a feminist act? Since there’s no rules on what type of feminist you have to be, you’ll have to decide for yourself.

Does feminism have a place in pornography?

3 Reasons to Stop Worrying about Book Piracy

First things first: I am in no way advocating illegal downloads. And yes, I would hope that anyone interested in my books would take the official route. I mean, seriously, it’s the price of a cup of coffee, and you have no idea how much it makes me smile when I check my sales and there was a tiny jump in numbers.

But I keep seeing a lot of anger and worry and generally negative feelings created by finding books on pirate sites, and I always feel like that might be misplaced. Especially when it coincides with worries about income from writing, as though they are really connected. And in the end, I think it’s much better to accept piracy as a reality we can try to use in our favor rather than getting upset about it every time. And here is why:

1. I am not actually losing anything.

No matter often the dvd piracy warning has flickered over our televisions, we HAVE to admit that there is a difference between stealing a material good and stealing an immaterial copy of a digital file for their own use.
Yes, to produce an ebook costs money, and a lot of time. But to replicate one doesn’t cost a thing. And the value of an ebook is freely scalable. You can sell it for $9.99 or $0.99 and both are equally valid, and depend on your business model, how many you hope to sell, the genre expectations etc. Now we all want to make a living off writing, and I think we deserve to get there, but that’s a different conversation. When we are talking about piracy, I am not losing resources, time or any other costs if someone, somewhere downloads an illegal copy of my book.

This would be different of course if someone took my intellectual property and sold it on or plagiarized it. Then yes, I am losing the income they steal from me – but I do think illegal downloads represents something of an inbetween, no matter now much big companies are trying to bully legislators into considering it theft as much as any other theft.

2. Numbers of illegal downloads do NOT represent income I might have had

Now, people download for all kinds of reasons. Some genuinely can’t afford to spend money on books because they have a family to feed. Others are data hoarders, who just generate pleasure from collecting stuff – far more stuff than they could ever read. Yet others are serial downloaders, who — for whatever reasons, some more valid some less — have decided that the current copyright laws are outmoded and they don’t feel they are doing anything wrong in downloading.
Whatever I think about any of these people: None of them are likely to have bought my book if it hadn’t been available on a pirate site. So if they hadn’t downloaded my book illegally, they would never have gotten their hands on it at all, or in many cases wouldn’t even have heard of it.
That wouldn’t do me any good. Now, I prefer being read to not being read, and yes I would like it a lot more if someone simply contacted me, and told me that they would love to read my book but can’t afford it right now, and I’d gladly send them a copy… BUT I grant that not many people are likely to do this.

I can frame it this way in my mind, though, and stop getting angry.

The goal is to create media that makes people want to spend their money on, and to be to good to those loyal readers.

3. Creative media start to become goods of emotional value

If we look at the music industry, which is always a few steps ahead of us in terms of alternative movements, indie productions and digitization, what we are seeing more and more, are sites like Bandcamp where in many cases, the customers pays what they want to pay. Many artists have their own shop on their websites that functions much the same way. I.e. instead of a fixed price, pricing becomes an open field in which the fan/listener/reader types a figure before they click pay.

And what creators are seeing is that in general, they don’t make less money.

This is one of the most interesting things about the internet and content creation. We are seeing the same thing at Patreon, Subbable, Kickstarter and many more. We WANT to attribute value to the content that makes us happy. Some people may be able to pay 2$ others 10$, and that is a model that makes a lot more sense for digitized products that have no tangible, material value of their own. Because why shouldn’t my book be cheaper for a high school kid or mother of four who gets minimum wage, than for someone with a good, steady income? That sounds totally fair to me because to that mother of four, 2$ signifies the same financial burden as 6$ for someone who has three times her net income.

And publishing is traditionally a little bit elitist isn’t it? There continues to be talk about how “special” books are and, I think most of us mystify the idea of being an author, too. But once we step away from that – like many indie musicians stepped away from the hyped and idealized rock-star ideal – what we are left with is this: we are creators of content. No better or worse than a musician, someone who paints a weekly comic strip or produces a web series on Youtube. But where all of those have embraced new ways of attributing value to content and making it profitable enough to live off being a creator, we indie authors still feel shackled to the old model of the publishing industry when we should be opening our minds to new ideas.

Now obviously, this isn’t exactly tied to piracy, but the music industry has had to deal with that a lot longer than we have. And still indie bands are thriving as much as before. And many of them have openly stated that they don’t mind it when their music is downloaded, because they know that people who fall in love with their stuff will buy the next album, if they can. And I think we should try and approach piracy with a similar state of mind.

If just because it’s better for our general happiness :) .

photo credit: Free Grunge Textures - www.freestock.ca via photopin cc

New Release: A Taste of Winter (Lakeside #2)

Hello my lovely readers and generally all-time-favorite people. It’s that time again: I’ve got a new release for you! And this one is a personal favorite of mine.

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By the Light of the Moon (Lakeside #1) was my first published book, and as you may or may not know, I couldn’t keep the promise I made, and the sequel didn’t come out later the same year as I said it would. I had problems with my publisher, then had to wait for my rights to be returned. And I didn’t want to rush it back out into publication. I wanted to make it better, edit it properly the way my publisher never did, give it a better cover than it had before.
And now finally, almost a year behind schedule, I can also release the sequel that’s been stuck on my computer for way too long.
It’s called A Taste of Winter, and it continues Moira and Owain’s story out in the wild after they ran away from Rochmond Castle. It also introduces some new characters, and of course Brock, the fae spy, is far from done spinning his plans and plots.
A Taste of Winter (Lakeside #2) Laila Blake

A Taste of Winter is out today! How exciting! And it comes with bonus excitement. To celebrate the release, By the Light of the Moon (Lakeside #1) is discounted to 99c for a few days (that’s a whopping 60% off!)

Release Date: October 28th, 2014

Genre: Romantic Fantasy / Paranormal
Length: 80k words
Tags: medieval fantasy, forbidden love, shape-shifter, were-wolves, fae, fairies, mental health, prejudice, privilege

Buy on Amazon!

Amazon US Amazon UK | Amazon CA | Amazon AU Amazon DE

Goodreads | Lilt Literary

Pinterest Board
Follow Laila’s board Writing: Lakeside on Pinterest.


Blurb

Picking up where BY THE LIGHT OF THE MOON left off, A TASTE OF WINTER is the second book in a romantic paranormal fantasy trilogy, set in alternate history medieval times. It follows the life of young Moira, a half fae noblewoman who fell in love with her shape-shifter guard and ran away from her ancestral home. 

Traveling the country, searching for a safe place to stay, the two of them soon realize that life is not as kind to them as they might have hoped. They feel the sting of prejudice and bigotry in each town they visit, and the reality of poverty and winter begin to erode Moira and Owain’s blossoming love. 

In the castle they left behind, darker plans are afoot. The fae spy Brody is slowly taking over, and he has no love for humans. He needs to be stopped before he can seize power and trigger another war between the races. But Moira and Owain are long gone, and Brody always seems two steps ahead.

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Excerpt

It was almost nightfall when they dared to approach the small village at the edge of the forest. It seemed mostly rural much like many in the Rochmond fief but it benefited from the proximity to the excellent hunting grounds the forest offered in the region. Owain had bidden Moira to wrap a scarf around her prominent hair and was gently leading her through the darkening streets towards the small Inn.

He had hoped they would find it all but empty, ready to accept two strangers in the night if they had the coin. When he opened the door however, a flood of chatter came wafting out of the place like a bad smell. Moira stiffened in his arm. There were so many things they had never bothered to think about before they’d run away that night. For a moment, he squeezed her tightly and then led her inside. It wasn’t as dingy as he might have expected and a good number of men were sitting by the bar over a drink sharing exaggerated hunting stories.

“A room for the night?” He asked the bar-maid, who eyed them suspiciously. It was hard not to recognize Owain for what he was. With his stature, he towered over most men and there was a certain slant to Blaidyn features, a sharpness in the cheeks; the nose was large and elegant and they simply moved differently than humans. In completely rural areas he sometimes went unrecognized because the uneducated peasants still believed Blaidyn had claws and muzzles like their dogs, but it took only one glance at the woman behind the counter to know that she knew better. Carefully, she set down the mug she had been polishing with an old rag and her eyes fell on Moira. Anger boiled in Owain’s gut when he saw the hint of disgust she couldn’t hide.

“A room?” she asked, raising her brow, “for the both’o ye?”

Owain exhaled, his arm fell from around her shoulders and he took a step forward, allowing her to fade a little into the broad shadow he cast.

“I am tasked to accompany this young woman to her relatives in the capital,” he explained quickly, in that way Moira had come to recognize as an attempt to sound more human. It cut most of the growling grumble from the tone and he even managed to hide most of the Blaidyn accent she found so attractive in him.

The innkeeper took one look at their muddy clothes and the huge pack on his shoulders and then raised a brow.

“Yer far off the path, wolf, quickest way to Lauryl is down the river. Everybody knows that.”

A growl rose in his chest but he managed to control it.

“Our travels must remain hidden from certain people,” he finally said quite smoothly, “hence the expense of my protection.”

Again her eyes swept over both of them but when he pulled out their purse, she shrugged. She had a living to make like everybody else. He pulled out two coins and pushed them over the counter, in return she gave him a key. Owain exhaled a well-concealed sigh of relief. Even Moira managed a small smile.

“Oy, wolf-whore,” a voice suddenly sounded from off to the side. It was a drunk voice, slurred and wet. Moira spun around and Owain winced. It would have been better for their cover if she hadn’t reacted but his own anger was quick to rise as well.

“I for one…” the drunk continued loudly and a moment later all eyes were on them. The chatter had died down and Owain exhaled a silent prayer to the moon.

“I for one,” the drunk repeated, “think it’s a bloody disgrace… yer a perfectly adequate maid. I bet lots of real men would have ye.”

“You think if we bring ‘er down to the stables, she’d fuck them horses, too?” another voice could be heard and one of the tables erupted in harsh, loud cackles. Almost too late, Owain took a threatening step between Moira and the men. He could feel her shivering behind him, gasping for air every now and again. Strangers, always strangers. It was hard to believe sometimes that she was genuinely happy to be alone with him in the woods for days and days but in that moment it was easier to fathom.

He pinned them down with his gaze for a few long heartbeats, and then he let his eyes flicker into the wolfish silver. Once they flinched, he turned back to Moira and led her towards the stairs. They didn’t linger to find out whether the innkeeper had changed her mind.

New Release: Girls in Love

There is something liberating in writing erotica about only women. I always hesitate to call it lesbian fiction because more often than not at least one of my protagonists is bi, questioning or curious, and I like to feature that for what it is. But no worries, I won’t go all “bi-visibility” on you, no matter how to true it is that most of the time we are in a committed relationship with a person of any gender, we end up being labeled accordingly :) .

I like how liberating it is, though. When I write m/f erotica, in the back of my mind there is always a GirlsInLove_mediumwhole catalogue of gender roles and expectations, which I don’t want to succumb to completely but still have to pay attention to because it’s hard to make a complete role reversal sexy to the mainstream erotic reader. Then there’s my penchant for power exchange stories and with a male dominant, I always take extra, special care not to give him the slightest whiff of an abuser. And I’m not saying that there’s no abuse between women, there is. But it’s less of a genre cliche and the freedom to explore the person behind the expectations exists in a way that hard to access in straight erotica.

With girls, with women, I get to choose and play with the expectations. It’s not so different in the nitty gritty, but it feels like there are more options, more ways to go. More creative options, a lot of fun to write.

Harper Bliss of Ladylit Publishing has been giving me the opportunity for that a lot lately, not just in a series of small anthologies (Sweat, A Christmas to Remember, Bossy and Cougars) but also my publishing my Breaking in Waves series. And of course when she offered to put some of my stories together in a small anthology of my own, I jumped at the chance!

Here is the blurb for Girls in Love
Childhood friends turn lovers in a snowy cabin, a student seduces her teacher in her own class room, and together two women overcome the prejudice of her family once and for all. These five lesbian erotica stories by Laila Blake are about laughter, kink and above all: about Girls in Love.

Table of contents
Bird of the Summer
House-Broken
Midnight Clear
Doll-faced Demons
The Corner Chair

And it’s available from these retailers
Direct from Ladylit
Amazon US
Amazon UK
Amazon CA
Amazon DE
Amazon AUS
All Romance
Smashwords
Kobo
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